The neat thing about sketching in nature (well, one of the many neat things) is that you always encounter surprises... if you're observant.
This week I'm continuing my exploration and evaluation of papers for journaling. And, whenever possible I'm doing it outdoors. (I know, it's a tough job. But, hey! somebody's got to do it.) The selected papers/sketchbooks will be joining me on a new series of field adventures in 2015.
Strathmore - Softbound
Strathmore is a name artists have been depending on for fine papers for 115 years. Earlier this year the company unveiled their new Softbound series. I have my eye on 3 journals in the series for use in in the 2015 project and am testing the 2 toned paper journals this week. (Watch for a separate field test and evaluation of the landscape-formatted Softbound Watercolor journal, and Strathmore's Series 500 Imperial watercolor paper in a future posting here.)
While artists still choose to create most of their drawings on white paper, it is also true that working on a mid-toned paper is the quickest way to produce a tonal/volumetric study of a subject. It's also true that, because works on toned paper aren't as common as those on white paper, toned paper has a visual impact, or "novelty", that white paper doesn't.
remember to let the paper represent the middle tone)
toned paper can be invaluable for capturing unexpected or fleeting discoveries
(like this fossil I found at my feet while sketching on the fractured limestone above)
As with the gray, the surface and sizing of the Toned Tan paper is ideal for graphite, color pencil, and/or pen & ink. The 118gm weight of the papers also means both are quite tolerant of repeated light washes, experience minimal surface buckling, and show no sign of fiber lift.