Showing posts with label Grotto House. Show all posts
Showing posts with label Grotto House. Show all posts

Monday, June 27, 2016

First Light (Grotto House and Red Arch Mountain)

First Light #1, 9"x12", oils on Gessobord

During my stay in Zion NP my very busy daytime schedule (combined with the dry high desert air) usually meant that I was in bed by 8:30 and up by 5:30 (enjoying a pre-dawn breakfast, filling my water bottles and backpack, and planning another day of trail hikes, sketching and painting.)

Except in the area immediately around the Zion Inn most nights in the canyon were pitch black.

But not always.

During the full moon I stayed up to capture the amazing chiaroscuro effects of the canyon walls and floor bathed in moonlight (see the "Complementary Colors, Moonbeams and Shadows" post below.) and then stayed on to watch in fascination as the eastern sky brightened, the last stars faded, and the canyon's colors slowly awoke.

This week's post is the first of two attempts I made to capture the scene in oils. (I hope you like it.)

Wednesday, June 8, 2016

Complementary Colors, Moonbeams and Shadows

Virgin River, Zion Canyon III, 12"x9", oils on panel

The desert Southwest has a special appeal for many artists. As one put it, in the Rockies and Cascade Mountains (and the Smokies and Appalachia) landscape painting is dominated by greens and blues; but in northern Arizona and southern Utah landscape painters get to use their reds, oranges, yellows, and purples!

Morning Shadows, 12"x9", oils on panel

But, even amidst all the spectacle of the Southwest Zion Canyon is special. Thanks to the Virgin River, Zion Canyon is a desert oasis filled with delightful eye-catching complementary contrasts -- red/green, blue/orange, and even yellow/violet. And, because the narrow canyon runs more or less north/south its color/lighting effects are dynamic -- changing every few minutes throughout the day, and even through the nighttime hours on those nights when the moon is full.

Life on the Edge (Hanging Garden), 9"x12", oils on panel

Watchman at Sunset I, 9"x12", oils on panel

And the south Utah night sky comes as an amazing surprise for visitors who know only urban skies and the veil of light pollution that obscures all but the brightest stars and planets. Under a dark, new moon sky visitors can clearly see thousands (if not millions) of stars of all sizes and colors. But the real surprise for me came with the full moon! Before leaving home I had planned to try my hand at a nocturnal (my first the North Cascades) and had expected to produce a piece in silvers and grays. But, instead, I was amazed to find a moon so bright that I could distinguish individual leaves on the ground and colors in those areas under direct moonlight (while ink-black shadows completely hid the secret details within.) 

Shadows and Moonbeams (Under A Full Moon), 12"x9", oils on panel




Monday, December 14, 2015

Home Again, Home Again Jiggety-Jig (or "Pauline's Misadventures in Limbo-land")

local mechanics, Twinkletoes and Twinklethumbs (yours truly, cirlced) just 
before replacing Pauline's fuel tank

Well, the quick turnaround (arrive one day, leave the next) in SoCal was not to be. We worked diligently on the car and Pauline was starting to look really neat with all her new parts. But, as week three neared an end, I decided that it was high time I got back to my family and my studio obligations. So, I bid farewell to my brother-in-law and sister-in-law, caught the red-eye home from LAX, and arrived (sans Jeep) in time for breakfast with the wife and kids (followed by sleep, lots and lots of sleep.) It felt great to be home!

Riverside Walk, color sketch, 8"x6", 
Gamblin oils on Ampersand Gessobord

After napping away the better part of the first day home, I got down to work -- first unloading all of my gear from the Utah adventure, and then beginning the compilation of drawings and paintings for a Zion NP gallery page on my website.

Grotto House and Red Arch Mountain, 10"x7", 
w/c over pen & ink

Over the next few months I will be adding dozens of new works to the collection. And, as soon as the National Park Service has selected the piece for their permanent collection, many of the oil paintings will be offered for sale. So, please take a look at my new page (Zion NP Gallery Page) and, if you like what you see, check back often to see the latest additions. (There's much more to come!)

Golden Hour, comp study, graphite on paper (one of the 35 
works on paper I've posted to the new gallery thus far)

Looking for a unique, one-of-a-kind gift for the Holidays? Something for that special art lover or nature enthusiast in your life? Check out the selection in my 4-Sale gallery. Most are available with or without framing, and enquiries are always welcome.

artworks in the 4-Sale gallery range from $250 to $700 plus S&H

Cheers!  

Saturday, October 24, 2015

Sunshine, Thunderstorms, and Flash Floods -- Oh My! (Week 1 in Zion)

My apologizes for the tardiness in getting my first Zion post online but, as I’m sure you can imagine, I’ve been very slow to take time away from exploring and art making to sit in front of a computer screen (and can only do it for brief periods before once again surrounding myself to the call of the wild.)

yea, I was disappointed too when they didn't give me a ranger hat 

My drive to "work" took three days and covered parts of four states... and was marvelous! 

the long drive

Day 1 was the longest, and most stressful (last minute double checking to avoid arriving at our destination only to discover something vital was left on the dining room table) although the stress usually gives way to euphoria within an hour of leaving home. The drive from Fort Worth to Albuquerque over rolling woodlands, through table-flat cotton country, and into Texas high desert scrub country. In New Mexico we passed through Billy the Kid country before we joining I-40 for the nighttime run into Albuquerque (with some very decorative lighting effects along the roadway and on overpasses.)


Day 2 had us awaking to the high desert scenery of the city... and discovering an unexpected classic car collection right across the street from our hotel.

I can imagine either one of these as a studio-on-wheels (altho' the Stutz won't carry as much)

Albuquerque to Flagstaff had us skirting the edge of the Four Corners area Indian Nations with their beautiful desert landscapes and sparsely populated vastness.


Arrival in Flagstaff was another after dark event, though much earlier than that into Albuquerque had been.

the last leg (up hill all the way)

Day 3 had us awakening in a mountain forest, descending through scrubland hills, and entering first the flat and then canyon country of the northern Arizona Navajo peoples.

my son's first cross-country drive (no extra charge for the mountain roads)

After passing through Page (and skirting briefly the edge of what I think is the most picturesque lake in America — Lake Powell) we began a series of climbs. The most notable began just after the Highway 89A turn off and was marked by a breathtaking turnout, where we stopped for the amazing views… and the kids ended up purchasing handcrafted jewelry from the four venders who maintained stalls within sight of their homes on the plain below.

shopping for jewelry on a mountainside was a delightfully serendipitous event

After the turnoff onto Route 9 at Mt. Carmel Junction we drove through rolling farm and ranch land before entering Zion NP through the east gate. Then came the amusement par ride: a mile-long tunnel that was so dark (no interior lighting) that I thought my headlights may have been burned out, followed by the most picturesque series of switchbacks I’ve ever driven in the US. Delightful!

beginning the switchback descent into the canyon

Met Gustava Hotskins, the park’s acting AiR Coordinator at the Human History Museum, received my White Pass (for driving a private car above Canyon Junction), got checked into the Grotto House, and dropped off all my gear.

At this point (thanks to the discovery of two folding cots in the house) the original plan for Misha and the kids to make the drive back to Flagstaff for the night was scrapped and we drove into Springdale for a very enjoyable patio dinner, followed by a visit to the Sol Market to stock up on provisions for my stay.

And, because the return to Flagstaff was cancelled and we found ourselves returning to the Grotto House after dark, we were able to come to the aid of a couple who were out on the no-lights Canyon Road after dark with no lights of their own… and having missed the last shuttle back into Springdale. After dropping off my groceries, wife and daughter, my son and I gave the couple a lift back to their hotel And, en route, learned that they had lost track of time during their climb to Angels Landing… when he stopped to propose to her. Thankfully, by the time we dropped them off the stress of trying to make their way in the dark had given way to relief and laughter and, hopefully, a memorable story to tell their grandchildren. (She said, “Yes.”)

our last photo together till my crew returns for me

Day 4 began with me seeing the family off to California and then I was out and about exploring — mouth agape at the shear beauty and vertical scale of my new surroundings. It seemed that, no matter which way I turned, there was a breathtaking scape to be captured on paper or panel!

the Pa'rus Trail between the Visitors Center and Canyon Junction

Day 5 — up well before dawn and work began in earnest. (What, you didn’t think I was going to work that in somewhere?) The canyons are a non-stop series of vistas. But, as a general rule, those on the west wall are going to be best lit in the morning while those on the east wall will be most dramatic in the afternoon. And some views — like the Watchman and the range south of Canyon Junction — are best during the “golden hour” just before sunset. So, I am out: identifying subjects I most want to sketch and paint, determining their compass bearing from my chosen vantage point, identifying nearby geological formations that may cast unwanted (or desirable) shadows, and determining the best time of day to capture the scene on paper or panel.

Day 6 — more scouting and mapping this morning — first on the river near the house and then up canyon. 

To minimize pollution, and curtail traffic congestion, in the canyon Zion NP and the town of Springdale have implemented two free shuttle systems — one running from the park entrance to the top end of the canyon, and one running from the bottom end of town to the park entrance. Add to that the bicycle the Park Service has provided my during my stay and I’m free to explore and discover every subject and vantage point on the canyon floor.

Popped down to the Lodge to introduce myself and to log onto their wifi (The folks at the Zion Lodge have kindly offered me VIP access to their wifi network for the duration of my stay so that I might get these weekly posts out to you.) and then hiked the half mile Grotto Trail back to the house to the sound of thunder rumbling in the distance. (It echoes majestically off the canyon walls and seems to go on forever.)

As I reached the house the sunny sky went dark and, within 10 minutes, the bottom fell out as a torrent of rain cascaded into the canyon… punctuated at the end by a hailstorm that peppered my windows and left the Grotto area carpeted in white. The surrounding canyon walls also sprang a dozen or so (in this area alone) new waterfalls with torrents cascading the 2000 feet or so to the canyon floor. It was all so exhilarating! (Of course, when a second storm struck in the middle of the night and I could hear the roar of the river — but couldn’t see the river’s edge — “exhilarating” was no longer the descriptive that came to mind.)

hard water?

Day 7 — the first week has flown by! I’ve discovered and experienced so very much already, with so much more yet to come. The summer warmth, with temperatures in the mid 80s, that greeted us has given way to fall temperatures that begin the day in the 50s. The sky alternates between brief glimpses of sunshine and overcast. But the morning is dry and OK for exploring (as long as I take my rain gear long, just in case.) And the afternoon showers are moderate. 

Up and down the canyon maintenance crews are out in force clearing the roads, trails (and lodge parking lot) of the red, clay-like residue of yesterday’s runoff. And I’m busy on yet another study, and enjoying a nice culpa tea.


Oh, PS, if any of you are going to be in Zion NP on Friday, Oct. 30, please join us at the Grotto picnic area at 3pm for a free Sketchbooking and Place-Based Journaling Workshop (Strathmore sketchbooks and Sakura pens included.) Hope to see you there!
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NOTE: Future posts from Zion are likely to be briefer as I intend to spend more time afield. But I think you’ll find the content, and especially the images, interesting. Cheers!

Monday, September 21, 2015

Talking Rocks, Whispering Waters... and a Street View or Two (Zion Update 5.0)

(24 days and counting!)

California Coastline, 6"x8", oils on Gessobord

Some of you have noticed, no doubt, that craggy mountains and coastlines have been a recurring theme in my practice pieces during the run-up Zion. These two subjects are among my favorites -- both in landscape art, and as attractions in nature. And the link between red/orange mountains and the canyons of Zion NP isn't too hard to see. The snow, on the other hand, may simply be the wishful dreams of someone still in the firm grip of Texas summer heat -- although there is a slight possibility of snow in the high country before I leave Utah, and I want to be prepared to avail myself of the opportunity to play (um, that should probably read "paint" or "sketch") in the stuff, right?

High Sierras, 8"x6", oils on Gessobord

For anyone who has only visited Zion through images the link with water may not be so evident -- most photos, videos and paintings focus on the cliffs and desert trails, and Zion certainly doesn't offer the kind of float trips that the Grands Canyon and Big Bend NP are famed for. But it should be remembered that the tallest canyons in the US were sculpted by water, and in Zion that water is the Virgin River, and in some spots in the park the reflected blues and greens of the water team up with the reds and oranges and golds of the sandstone cliffs to present the visitor with breathtakingly sublime views. And, with a little luck and a lot of hard work, I'm going to do my best to capture them on paper, panel, still photos and video. (Wish me luck.)
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A New Prep Tool --

the Grotto House, Zion NP, seen from the S side looking N

Wilderness adventures are a blast (and, yes, the canyon floor can get crowded at Zion National Park, but 90% of the park is wilderness with nary a crowd in sight.) But venturing far from home is best done with a bit of planning and preparation; after all, I don't want to get get all set up to do a light study of Angel's Landing and then discover I've left my brushes in Texas. If possible, I also want to avoid waste time during my adventure in Zion -- scouting out picturesque venues, determining compass coordinates, identifying nearby geological formations that might cast shadows (good or bad), and determining the best time(s) of day to get the most dramatic light effects.


the Grotto House -- viewed from the E looking W (above), and viewed from NNE looking SSW (below)

(I'm already thinking that, if I move a little to the right from this point, I might 
get a nice vertical image -- or two -- of house and canyon wall)


In the past, before visiting a new location, I would have read books and blog posts, looked at magazine articles and, if possible, contacted other artists who had already visited the location -- and I've done that again this year. But this year, thanks to Google, I've got a really neat new tool: Google Street Views!

Google Street View lets me "walk" the trail between Zion Lodge and the Watchman campgrounds, look in all directions, 
test potential compositions (see red box), and determine best time of day to get the optimum lighting effect 

Sure, you say, street views have been available for years on Google maps. But now there's so much more. (In fact, I don't doubt that a name change will soon be in order.) Now Google offers off-road views of trails in major parks and other sights of cultural or historical significance around the globe -- including some of the most popular trails in Zion National Park. And, thanks to the 360ยบ feature, I can even scout for landscape subjects (try out composition options, and determine their compass heading from a particular point on the trail) before I even leave home (which, of course, means that I can start sketching and painting that much quicker once I arrive.) That's cool!


Walter's Wiggles, looking up trail (above) and, wow!, down trail (below) -- now this I'll have to draw, 
paint, video tape... or all of the above (my thanks to Ryan Allison for sharing this with the Google community)